Table of Contents
I. First Works in Detroit, 1878-1879
II. Military History Paintings 1880-1887
III. The Paris Paintings, 1887-1890
IV. Works for publisher, George Barrie, 1892-1893
V. Portraits, 1880-1904
VI. Drawings and Illustrations, 1880-1909
VII. Sculpture
VIII. Later Military Works, 1895-1900
IX. Genre Works and Final Paintings, 1895-1908
X. The Book
XI. Photographs
VI. Drawings and Illustrations, 1880-1909
Frontal View of Galloping Horse, c. 1880
Head of a Young Man, 1880
Male Figure in Suit, Profile and Frontal
Male Figure in Suit, Seated on Stool, with Inset of Clasped Hands and a Head
Nude Female Figure, c. 1880
Nude Male Statue, 1880
Nude Male Figure (plaster cast)
Nude Male Statue, 1880
Study of Michelangelo’s “Dying Slave” (Plaster Cast)
Two Male Lower Legs and Feet, c. 1880
Profile View of Young African-American Man with Foot on Chair, 1881
Preparatory sketch for "The Pursuit," 1884
Hancock’s Corps Assaulting the Works at the “Bloody Angle” 1887
Melancholy Union Soldier with Letter, c. 1898
Study sketch for "The Rescue of the Colors," 1898
Revolutionary War Uniforms, 1900
Awaiting Orders to Cross the Burnside Bridge, 1901
Infantry Giving a Helping Hand, 1901
McIlvain Going to the Support of Buford’s Cavalry, 1901
On Picket in Winter, 1901
Rescue of the Gun, 1901
Supporting the Charge of Hawkin’s Zouaves, 1901
The Mud March, 1901
Flora Baum in Classical Dress, 1903
Flora Baum in Coat and Hat, Seated, Full Figure and Head Views, 1904
Sketch of Flora Baum as the Madonna, 1904
Cavalryman, n. d.
Flora Baum and Daughter Marian, 1905
Mounted Trooper, n.d
Soldier Advancing
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