|  Edward W. Redfield (1869-1965), October (Autumn), n.d., oil on canvas. In Trust to the James A. Michener Art Museum from Marguerite and Gerry Lenfest |
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Due to an electrical incident affecting the Carol and Louis Della Penna
Gallery, this exhibition was closed ahead of schedule, on December 10, 2004.
May 1 – December 10, 2004
Carol and Louis Della Penna Gallery, New Hope

During the opening decade of the twentieth century, Pennsylvania impressionist
Edward W. Redfield earned
a reputation as one of America's leading landscape painters. This exhibition
brings together over 50 works (some never before on public view), spanning
the entire creative period of the artist's life and includes early student
drawings, a personal journal dating to 1889, landscapes painted in France,
seascapes, nocturnal cityscapes of Brooklyn and New york City, as well as the
Bucks County seasonal landscapes for which the artist is best remembered and
honored by his contemporaries. Additionally, hooked rugs, furniture, and
other craft items produced by the artist will be on view. Organized by the
Michener Art Museum, this retrospective exhibition and the accompanying
catalog offer a unique opportunity to experience the depth and breadth of
Redfield's life and work as never before.
The exhibition title derives from a comment made by fellow artist Albert
Sterner after viewing one of Redfield's landscapes in 1939. Sterner told
Redfield that the work, "painted as you always paint, from the shoulder,"
impressed him with its "just values and fine seeing." Among the major
institutions who have loaned works to this exhibition are the Corcoran
Gallery of Art in Washington, D.C., the National Academy of Design in
New York, and the Speed Art Museum in Louisville, Kentucky.
"Redfield's success was solidly grounded in his ability to paint distinctive
aspects of the American landscape in clear and immediate terms that dissolved
the boundaries between man and nature. Redfield knew that the power of
landscape painting lay in its ability to bring individuals so close to nature
that they would feel the currents of its life as strongly as they feel those
of their own bodies," notes exhibition curator Constance Kimmerle.
|  Edward W. Redfield (1869-1965), The Burning of Center Bridge, 1923, oil on canvas. James A. Michener Art Museum, Acquired with Funds Secured by State Senator Joe Conti and with Gifts from Joseph and Anne Gardocki and the Laurent Redfield Family |
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Three exhibits for one price!
See Edward Redfield: Just Values and Fine Seeing in New Hope, along
with The Cities, The Towns, the Crowds: The
Paintings of Robert Spencer (opening June 5) and
The Lenfest Exhibition of Pennsylvania
Impressionism, both in Doylestown for one low price! Joint tickets
will be available for $12 that include admission to both Museums and
special exhibition fee (a more than 20% discount) through October 17, 2004.
Group rate of $10 for 15 or more with advance purchase.
Exhibition sponsored by Journal Register Company/Intercounty Newspapers;
Little River Resort, Pinehurst, NC; and Penn Valley Constructors, Inc.,
with additional support from Amy & Joe Luccaro, HollyHedge Estate.
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