|  Harry Leith-Ross, Tenant's House and Tracks, n.d, oil on canvas, H.24 x W.26 inches, Private Collection |
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May 12 through October 1, 2006
Carol & Louis Della Penna Gallery in New Hope
Sponsored by Sanford-Alderfer Companies
Harry Leith-Ross (1886-1973) was an influential teacher and author as well as one of the most decorated and prolific Pennsylvania Impressionist artists. For more than thirty years he regularly exhibited his watercolors, drawings, and oil paintings at the Art Institute of Chicago, the Corcoran Gallery, the National Academy of Design, and the Pennsylvania Academy of the Fine Arts. Born in the British colony of Mauritius, Leith-Ross first immigrated to his grandparents' castle in Scotland, and later moved to the United States.
His early career endeavors took Leith-Ross on a very circuitous path. He studied engineering, worked for his uncle's coal-mining business, and pursued an advertising and commercial art career with a printing and engraving company. In 1909, he traveled to Paris to study painting, which would become his life's work.
After study in Europe, Leith-Ross moved to New York and began to exhibit his
paintings at the National Academy of Design and the Pennsylvania Academy of
the Fine Arts. His work from this period demonstrates bold broken brushwork
and thick, rich impasto. It was during this time that he met
John Folinsbee, a noted
painter of the Pennsylvania Impressionist school. Leith-Ross moved to
Pennsylvania in 1935, where he quickly became an integral member of the New
Hope arts community, settling with his wife in Solebury.

Harry Leith-Ross, Snowy Morning in Jericho, ca. 1930s, oil on canvas,
H.24 x W.30 inches. Collection of Thomas and Karen Buckley
Leith-Ross became renowned for his vibrant, carefully composed oil paintings for his transparent watercolor technique in the tradition of eighteenth-century.
Organized by the Michener Art Museum, this retrospective exhibition included
a full range of oil paintings and watercolors, as well as a selection of his
exquisite drawings and was accompanied by a major publication authored by
Michener curator Erika Jaeger-Smith.
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